Niko Tii Nurmi Sipiläinen — He Wdet Welinet / Hem Newe Media

YLÄKERTA | 23.9.–10.10.2017

He Wdet Welinet

Waltaosa tai­tei­liojs­ta cirio­ta hacemvxia, lve­te­loi ansioi­tan, pite ney­te­lyi­te, cvwa ja cvwai­le teoxien. Heile iotca eiwet cey­te nei­te tööwai­hei­ta tai­te­san, he ouat vlco­tai­te­lis­ta toi­min­ta: töös­ken­te­ly apv­ra­han sami­sexi mah­do­lis­ta oicean töös­ken­te­lyn; gale­ria on tyhie tila ione itze teos panan ney­ti­le; navhv­ri tal­tioi hil­ja war­si­nais­ta esi­tys­te.

Ehcä neme tele hetce­le tai­tei­lioj­den jaje­tu­mat weli­net ouat wden­lai­sen, tese aia­sa mei­te pare­min puhu­te­le­van tai­ten weli­nei­te. Miten iocin sir­ty­me weli­nes­te tai mene­tel­mes­te toi­sen mulis­ta coke­mus­ta voi tun­tea vain hene tapah­tue­sa. Cexintö halcai­se aian cah­tia: aican ennen ia aican iälcen. Cun sir­ty­me on ohi, wsi weli­ne on les­ne cai­kes.

Mesopotamialaiset neciwet nelie tuha­ta woo­ta siten miten ciwen­haca­tu laci muti hei­de ele­men­se, Gutenberg poo­li woo­si­tu­ha­ta siten miten cirian­pai­nan­ta muti cir­ja­li­su­ta ja Agricola himan möö­he­min mite somen kie­lis­te iej pois hene mah­du­tae­san hei­te lati­na­lai­se akos­ton. Mite somen ciria­kie­li oli Agricolale, on mei­le esi­mercixi inter­net ja tecoe­ly. Muistan aian ennen inter­ne­tie, muten osa cuwi­te­la tulewai­su­ta ilman hen­te. Eleme vie­le aica ennen tecoe­ly muta io hene odo­tuxen­sa on muta­nut cai­ken.

Cunelcam sijs tarqe­min hei­te — nim­me iol esi­tey­dy­me, cey­te­tyim­pie hymiöi­tä­me, apv­ra­ha­ha­ke­muxi­sa­me wili­sewie awain­sa­noia — iotca tie­te­vet eni­te paitzi itzes­ten möös meis­te, cos­ka loo­me hei­de can­san oma itze­he­me.

Hem Newe Media

Moste artis­tae wri­ten applicaciouns, lis­ten ache­ve­men­tes, put­ten on showes, taken pyc­tu­res and videoes of thy­ne peces. Thes aren ext­ra-artis­tic acti­vités to thes artis­tae hwo doth ne enclu­de nat hem in thy­ne wer­kes: the wer­ke thats put­ten into get­ting a gran­te maketh pos­sible the rea­le artis­tic wer­ke; the gale­rie is an emty space wher oan displayeth thy­ne art wer­kes; the recor­dour sci­len­te cap­tu­reth the actuel per­for­maunce.

Thes media hwo aren mos­te wyd­ly sche­red by artis­tes today may be the media of a newe kyn­de of art hwo bet­re spea­keth to us in thes tymes. Hwu a schift from one medium to the other roc­keth oans ente­re expe­rience can onlych be felt as they are hap­pe­ning. Enventions split­teth tyme in twa: to the tyme befo­re and the tyme after. Whan the schift to a newe medium hath hap­pe­ned, the newe medium infor­meth eve­ryt­hing elles to.

The meso­po­ta­mians sawn sum fower mil­len­nia ago hwu the lawe, insc­ri­be­de in stan, chaun­ge­de their lyfs, Gutenberg 600 yeers ago obser­ve­de hwu mec­ha­nical repro­duc­tion chan­ge­de lite­ra­tuer and a litel late­re Agricola saw what was left oute from the Finnish lan­gua­ges when he hem transc­ri­beth in Latin scrip­te. What the writ­ten Finnish lan­gua­ge was to Agricola, the inter­net and arti­ficial intel­li­gence aren to us. I remembrst the tyme befo­re the inter­net but can ne ima­ginst nat a futu­re wit­hou­ten hem. We are stil­le living the tyme befo­re arti­ficial intel­li­gence but hir wai­ting hath alre­di chan­ge­de eve­ryt­hing.

Laet us lis­ten more care­ful­ly to hem — the nomes we usen to int­ro­ducen oure­sel­ves, oure mos­te frequent­ly use­de emo­ji, the buzzwor­des in oure applicaciouns — hwo know mos­te nat one­ly abou­te hem­sel­ves but alswa abou­te us, as its with hem that we scha­pe oure iden­ti­ties and thus oure­sel­ves.

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